佳纪和光住在乡下小村庄，两人一起长大，从小形影不离。燠热难当的艳阳。此起彼落的蝉鸣。回家路上的冰淇淋。那天，一个再完美不过的平凡夏日，他们随口闲聊，哈哈大笑。佳纪忽然转头问光：“其实你不是光吧？”六个月前，光在山里走失，一星期后离奇归来。这个光的容貌和言语都与原本的光别无二致，但他体内有某种不太对劲的东西在骚动。“光已经不在了，那样的话，你……”佳纪继续与那个模仿光的“东西”相处，假装一切都没有改变。然而，村庄里却开始怪事频传。渐渐坠入某个未知的“东西”……以成长为主题的恐怖故事拉开序幕。

2016年10月よりTVシリーズ「亜人」第2クールの放送が決定しました！

在蝴蝶屋结束修业之后，炭治郎等人抵达了下一任务的地方“无限列车”。在那里，短时间内有四十多人失踪。带着祢豆子的炭治郎与善逸、伊之助一行人，与鬼杀队的最强剑士“柱”之一的炎柱炼狱杏寿郎会合了。在通向黑暗的无限列车中，他们将面对潜伏在此的鬼。

纳野和（岛崎信长 配音）曾经为了追寻梦想离开了家乡，来到东京独自打拼，如今，在得知了父亲生病住院的消息后，纳野和决定返回阔别了十年的老家，并且继承家中一直在经营的点心店绿松，担负起作为家中长子的责任。哪知道，当纳野和回到店里时，发现店中有一个陌生人正在忙碌，那就是店铺的看板娘雪平一果（结木梢 配音），与此同时，她也是店铺的候补继承人。一果对纳野和并没有什么好脸色，并不是因为纳野和回来会导致她的地位不保，而是因为她一直认为当初纳野和离开家乡前往东京的行为是对于店铺和家庭的背叛。就这样，纳野和与一果开始了共同生活共同工作的日子。

妮娜在魔法考试时不小心吞下了“水晶珠子”，从那天起，和同样会使用魔法的超级帅气的konbi组成了魔法组合，开始他们的奇妙之旅……爱的魔幻通俗小说！！！

===Silent Möbius 2 劇場版（下篇）===故事是上一集劇場版的連續，繼續以2024年為背景。母親死後，香津美的心裡未能接受父親的遺產 -『魔法』、母親的死去、平凡生活的完結、及被迫加入AMP等等的事情。一臉怒火地就向AMP等人發泄，卻不得要令。心灰意冷的她意圖放棄自己，卻在這時遇到了生命中的注定的好友 - 彩弧由貴。由貴的熱心支持使她重拾做人的信念，最後接受了自己的命運。

一次偶然机会，女保镖巴尔莎救下了落入河中的新龙勾皇国王子查穆。将查穆带回宫殿的巴尔莎却被告知赶快带他逃走。查穆身上带有精灵之卵，但却被称为魔物，因而被人追杀。巴尔莎带着查穆一路逃命，并教会了他守身之术...

本剧创作灵感来自于谷崎润一郎的《痴人之爱》，讲述了一个长达20年的复仇故事。这一切源于少年时期的一场相遇，少女真由子的隔壁搬来了新邻居一家，她与年龄相仿的百合一拍即合，成为了好友。然而，性格内敛的真...

本作品主角三桥廉是个希望自己成为所属球队王牌投手的少年，在中学时期被认为靠着爷爷是三星学园经营者的关系，才能成为该校棒球部的王牌投手，因此队友对三桥有着极大的反感，结果不但造成其在中学三年一胜难求，更导致他懦弱、自卑又孤僻的个性，甚至一度考虑放弃棒球。三桥毕业后决定不直升三星学园的高等部，转赴埼玉县投考高校，并进入县立西浦高校就读。他在社团展览徘徊，之后抱着只是看看的心情走到棒球部，没想到意外被教练百枝麻里亚半强迫地加入，而且是全队唯一曾经固定担任投手位置的球员，顺理成章成为西浦高校棒球部的投手。该校棒球部全体成员都是一年级，且刚从软式棒球转型成硬式棒球。三桥在捕手阿部隆也的引导下发挥出苦练而成的极精准控球能力，通过一场场的比赛、兼顾技术及心理层面的严格训练及队友间的紧密互动，三桥逐渐找到自信心及朋友间的信任感，全队携手朝着甲子园优胜的目标迈进。【STAFF】原作：樋口朝「振臂高挥」（讲谈社 月刊「AFTERNOON」连载）监督：水岛努系列构成：黑田洋介人物设定：吉田隆彦总作画监督：高田晃、谷口淳一郎动作作画监督：谷口淳一郎音乐：浜口史郎音乐监督：菊田浩巳动画制作：A-1 Pictures制作：大振制作委员会【CAST】三桥廉：代永翼阿部隆也：中村悠一花井梓：谷山纪章田岛悠一郎：下野纮冲一利：佐藤雄大荣口勇人：铃木千寻巢山尚治：保村真水谷文贵：角研一郎泉孝介：福山润西广辰太郎：木村良平筱冈千代：福圆美里百枝真理矢：早水リサ滨田良郎：私市淳

这里是诡异的脑洞故事集中营，亦是奇妙的漫画物语！不到最后一刻，结局一直在你想象之外！《怪奇笔记》漫动画，每周三-周日全网更新！

Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

一群十几岁的少年庆祝一个本地连环杀人犯的忌日，突然发现他们自己与这个困扰的城市传说的现实面对面。